My love of storytelling traces back to my step-mother, who spun wonderful fantasy stories when I was child. I finished my first novel at sixteen. That first attempt was terrible, but taught me quite a bit about story construction. Though I would start numerous other projects in the following years, I wouldn’t actually complete another book for another 21 years.
I wasn’t idle in that time, though. I earned a degree in engineering, married the love of my life, worked as a semi- truck driver crisscrossing the country, moved from Texas to North Dakota and then came back home.
It’s been a fun and interesting journey. I really enjoy engineering, but writing was my first passion, and I’m excited to share it with you.
I currently live in West Texas with my wife and our two adorable (but weird) cats.
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“No one knows how human genetics evolved to create Mirrors. No one knows how the evidence of a criminal’s last horrendous act can be confirmed in a single gaze of a child’s silvered eyes. But just because science can’t explain something doesn’t mean it can’t be used, and this gift is simply too valuable to ignore.
Twins Thomas and Ashley Ross have grown up knowing they would be used as Mirrors for the “good” of humanity. When their powers mature at age twelve, they are taken weekly to fulfill their role. By reliving the most heinous crimes from a perpetrators’ perspective, they alone can assure that no innocent people will be executed, and that the worst offenders are not set free due to lack of evidence.
Justice is not without cost, however. Taking on the memories of others is a destructive process, one that quickly consumes the children involved until most take their own lives. As despair threatens to drown Thomas and Ashley, a distant hope keeps them from succumbing: If they can make it to their eighteenth birthday, their contract with the government will be fulfilled. Changing views on the morality of their role threatens to tear
them apart, but the twins struggle to cling to each other and try to construct a fragile life above the weekly flood of horrors.
As their work takes it toll, however, a new question emerges: does survival even matter when you’re already broken beyond repair?”
And now for the Cover
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